Showing posts with label Publications. Show all posts
Showing posts with label Publications. Show all posts

Monday, March 20, 2017

Artist at Work

Artists At Work (AAW) is a documentary project with a focus on contemporary artists and their work process and work spaces. The AAW project is dedicated to creating an in-depth and extensive photographic record of contemporary art practice and art-making. AAW is produced by writer and documentary filmmaker/photographer Robert Knafo, founder of the video/film art documentary series www.newarttv.com.
Feature on the studio here.





Monday, June 8, 2015

Painters on Painting, Marcaccio on Jasper Johns

 Discussion of Jasper Johns, Perilous Night, 1982
Painters on Painting,
Blog created by Julie He ernan and Virginia Wagner



Painting Beyond Pollock

Painting Beyond Pollock, by Morgan Falconer
Phaidon, London, England



Painting Beyond Pollock is a captivating account of the history of
European and American painting from the mid-20th century onwards.

Painting, with its endless capacity for reinvention, continues to occupy a privileged position in Western art. Since the mid-20th century, new practices have pushed art into territories such as performance and installation, leading some critics and artists to declare painting irrelevant or even finished. But these developments have, in fact, driven painting to new heights of innovation and interest, making these seventy years arguably the most lively in its history.

Morgan Falconer tells the story beginning with Jackson Pollock and the Abstract Expressionists on both sides of the Atlantic, proceeds through postwar abstraction in France, social realism in East Germany, the end of geometric abstraction in Europe, American post-painterly abstraction, the handmade ready-mades of Rauschenberg and Johns, Pop's rise in Britain and the US, painting's confrontations with photography in the 1960s and beyond, the return of expressionism in the 1980s, new approaches to Pop in the 1990s and 2000s, and the continued variety of some of the most recent paintings to be made by a younger, 'post-medium' generation of artists.

Painting Beyond Pollock is an illuminating guide for both specialists and enthusiasts of painting, written in language that is intelligent and accessible. 

More information here.


Wednesday, September 17, 2014

Interview with Paul Laster, Whitehot Magazine of Contemporary Art


"Talking Painting With Fabian Marcaccio"
Interview with Paul Laster
Whitehot Magazine of Contemporary Art



"...Everything that I do now involves digital art and painting. I say that there is the pigment, the emulsion, and the pixel. In a certain time in history, you could only think about the pigment. When the emulsion came, you couldn’t help but deal with it. When the pixel came, even if you wanted to be the purest artist in the world, you had to pay attention to the pixel, as well as all kinds of digital culture..."

Friday, August 15, 2014

13 Artists in the Studio



13 Artists in the Studio, co-produced by Kim Morgan, Garry Snyder, Michael St. Johns. 
New York City, Public Broadcast Television, 1996. 

Monday, June 9, 2014

Permanent Change: Plastics in Architecture and Engineering




Permanent Change
Plastics in Architecture and Engineering
Michael Bell , Craig Buckley


Publication in conjunction with:

THE FOURTH COLUMBIA CONFERENCE ON ARCHITECTURE, ENGINEERING AND MATERIALS
MARCH 30 — APRIL 1, 2011

Details of the conference





Plasticity Formation/Information: The forming capabilities of now

The traditional modes of production like oil painting made possible the flexible representation of flesh in bourgeois culture.

The development of photo emulsions made possible the instant image, digitalization and the net, the all-over delivery of information.

New polymer materials together with digitally aided technology make possible a new type of composite corporality.

These plastics change the predictability and sensations of objects in relation to the body and between the objects themselves. Examples are numerous but some are as intimate as sex toys and medical silicone or as extroverted and structural as silicone sealants in glass steel curtain walls.

Most uses of polymers are as instruments for the circulation of flows; the tubing between the body and medical machines, the machine parts in the form of gaskets cushioning rigid parts, and in the making of electronic chips.
This role as a sealant, circulant, cushion, gasket, filler or prosthetic make new polymers essentially the passage between bodies and objects. They are a structural plastic passage between rigid entities and soft ones. They are in the interstitial spaces of everything that matters.

They are both what makes information possible and the form of in-formation, an actual process of informing and forming. Plasticity is present at the level of the digital information, hard mold formation, and the distribution of information.

These new plasticities act as the flexible aura between things, a plastic subjectification.

FM 2012

Tuesday, November 27, 2012

Fabian Marcaccio and Martin Hentschel Interview

Interview during catalog presentation, "Some USA Stories," Haus Esters, Kunstmuseen Krefeld, Krefeld, Germany.
Curated by Martin Hentschel.

Part 1
Part 2



Part 3


March 18-August 18 2012
http://www.kunstmuseenkrefeld.de/e/ausstellungen/archiv/index.html

Walk through of exhibition here:
http://www.youtube.com/watch?v=ZNGTt06yIUU&feature=g-upl

"...It consists of a suite of 12 works that tackle themes from the dark side of recent American history. The Mexican drug war, the Waco disaster in Texas, the mass suicide commanded by Jim Jones in Guyana, the Fallujah massacre, and the Columbine High School shootings mark the social explosiveness that can be read from these monumental paintings..."

Tuesday, October 16, 2012

Landscape of Being - ebook



AGENCY – Art, Life and Society e-book 2 - THE LANDSCAPE OF BEING


CONTRIBUTORS

Writers: Ankur Betageri (India) Lucrezia De Domizio Durini (Italy) Robert C Koehler (USA)
Phil Rockstroh (USA) Margaret Wheatley (USA)

Artists: Ishola Akpo (Benin) Jelili Atiku (Nigeria) Conrad Atkinson (UK/USA) Lucy Azubuike
(Nigeria/USA) The Caravan Gallery (UK) U We Claus (Germany) Nicholas Galanin (Alaska)
Deborah Kass (USA) Olga Kisseleva (Russia) Simon Lewandowski & Richard Price (UK)
Mário Macilau (Mozambique) Ian MacKenzie (Canada) Fabian Marcaccio (Argentina/USA)
Graham Martin (UK) Ealy Mays (USA/Paris) Patrick McGrath Muñiz (Puerto Rico) Laura Nelson
(UK) Jackie Raybone (UK)  Anna Tretter (Germany) Angela Tyler-Rockstroh (USA)

The Landscape of Being is conceived and curated by Dr Graham Martin


‘The Landscape of Being is about our state of being in this still beautiful, globalised post-modern
crisis-ridden world. This book starts where our first e-book On the Contemporary ended, with a
call for humanitarian values, and for individuals and societies to embrace a common humanity
and the preciousness of human life. Its beating heart comes from the Occupy Movement,
Contemporary African art, Buddhism and the work of Joseph Beuys. The struggle for our
humanity, even for the capacity to be and remain human, seems ongoing and so, into an
increasingly virtual and consumerised world, I send this book out as flame, wound and reality.’


Released 12th October 2012 and available as a free pdf download.


Graham Martin
Director of Agency – Art, Life and Society, an international curatorial project based
in Yorkshire, UK, concerned with the socio-political and the how and why of living.  


Wednesday, October 3, 2012

Paintant Report, FLUOR

Paintant Report, 2012
Commissioned for FLUOR Magazine, Issue #3

To order:
From Spain, Germany, Latin America
From everywhere else


2012 · FLUOR – One year, one magazine

FLUOR, contemporary culture magazine, appears at a time of economic crisis, amid a whirlwind that entangles and mixes art with business, luxury with necessity, ideas with forms… that make craft into art and vulgarity into elegance. Although it’s designed and created from the world of visual arts, FLUOR is not just an art magazine but a publication that will generate synergies that will set relations between the different languages and cultural forms of the present, past and future. A publication that will pay special attention to the work of artists and artists themselves. They will be the protagonists of FLUOR: with their works, their texts and their contributions. Painters, illustrators, photographers, writers, musicians… FLUOR’s pages will be filled with their work, their ideas and their words.

An essential part of FLUOR, which will define the magazine, will be the projects of invited artists who will create 16 pages of personal creativity, with specific and unique works, made especially for FLUOR. Familiar and unfamiliar artists, young and old, Spanish and other nationalities and that use any language. It doesn’t matter, every three months, in FLUOR we hope to make room for everyone: artists and ideas, forgotten and unpublished texts, narrative and beauty, horror and doubt, art and thought.

In FLUOR there will be no art criticism or any kind of critical opinion beyond the ones that our collaborators and invited artists raise with their views and attitudes. The formal and conceptual crisis of criticism has done much harm to Contemporary Art, and so with FLUOR, the objective is to introduce a different approach to culture, art and the work of artists with minimum intermediaries.

FLUOR will be, as of the first trimester of 2012, the contemporary culture magazine of these turbulent times, a place to visit on paper, a parallel exhibition space, a mixing desk for DJs of today’s culture, a magazine on who we are and what we will be in the future.

It is quarterly and bilingual (Spanish and English), to facilitate its distribution throughout the world. FLUOR will be distributed in bookstores and museum shops, and is designed for subscription (primarily for the direct contact that can be created between the reader and the publisher). It will also be present at art and book fairs around the world. We will strive to be close enough to the reader and art and literature enthusiast so that they can always count on the magazine, tailored to their tastes and interests.

FLUOR is certainly a different magazine and above all, bold and modern up to the point that it’s able to unite in its pages all kinds of languages and formats.










Sunday, February 19, 2012

John Yau on Rope Paintings

John Yau writes about new Rope Paintings for Hyperallergic.